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Introduction
In the Guru Granth Sahib, there are fifty-seven saloks and fifty-nine Sabads revealed by Guru Teghbahadar Sahib (1621-1675). While the saloks are recorded without any prescribed rag
A rag is a melodic framework for improvisation and composition in Hindustani music akin to a melodic mode in western music. It consists of a specific set of notes and their combination used in a particular order to produce a melody. A rag also provides a framework of rules with the help of which a musician can improvise to produce different melodies by infinitely reordering a given set of notes specifically prescribed for that particular rag. Every rag has an array of melodic structures with musical motifs that is capable of evoking distinct emotions. [https://www.britannica.com/art/raga]
(musical mode), the Sabads are recorded under fifteen different rags. Under Rag Gauri, the Guru has revealed nine Sabads, which are recorded on page 219-220 of the Guru Granth Sahib. Out of these, seven Sabads comprise of two stanzas each and two Sabads comprise of three stanzas each. The stanza of rahau in each Sabad is separate from these stanzas.