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Introduction
In the Guru Granth Sahib, there are fifty-seven saloks and fifty-nine Sabads revealed by Guru Teghbahadar Sahib (1621-1675). While the saloks are recorded without any prescribed rag
A rag is a melodic framework for improvisation and composition in Hindustani music akin to a melodic mode in western music. It consists of a specific set of notes and their combination used in a particular order to produce a melody. A rag also provides a framework of rules with the help of which a musician can improvise to produce different melodies by infinitely reordering a given set of notes specifically prescribed for that particular rag. Every rag has an array of melodic structures with musical motifs that is capable of evoking distinct emotions. [https://www.britannica.com/art/raga]
(musical mode), the Sabads are recorded under fifteen different rags. The Guru has revealed one Sabad in mixed Rag Basant Hindol and four in Rag Basant, which are recorded on pages 1186-1187 of the Guru Granth Sahib. The Sabad under Rag Basant Hindol comprises of two stanzas, and the Sabads under Rag Basant have three stanzas each. The stanza of rahau in each Sabad is separate from these stanzas.